(*)I believe that my generation, tho seemingly more sexually/romantically open-minded, is jaded with relational delinquency as well as dissatisfaction. More people are just not satisfied, everyone has an issue with their romantic situation. So may people seem alone, and/or have no desire to share a future with another human being. This bothers me because of my own ideals (***)that have manifested through my own personal up-bringing.
(***)Ideals play a big role
Including but not limited to;
Relationships with family, with lovers, with friends (not so much the people themselves but rather the relationship one has with the ideas/thoughts they associate with the person)
More Specifically: Relationships with memories, with feelings, moments,
Relationships with ones self and with one's sences.
(the things one tends to notice/remember)
I try to confront these issues by providing or in some cases merely implying a multi-dimensional environment/setting or space which lends itself as a venue to sit back and just feel something.
A setting for a narrative that the viewer can themselves, complete.
I am hoping to let the viewer feel comfortable/vulnerable enough to focus not so much on what is in front of them (******) but rather what is inside of them/ what it makes them think/feel
**** The visual aspect (what i am presenting the viewer with) would be atmospheric, ambient, having a certain fluidity that is meant to sooth and calm.
More Specifically: imagery of windows(**)
For this project, I would like to simmulate the enviroment of a room/bedroom. An architecturaly simlple/plain room, one that can be easily identified as.
Romanticized memories that are fuzzy and vague /accessible enough for the viewer to use it as a foundation from which to re-build their own story/memory off of.
issues/questions I am asking myself:
I am interested in addressing the intent/process. I want to address the fact that I have spent time to re-make a memory, to place importance on re-making/ re-modeling of memories, the importance, if not just the dire need to remember things as a human being.
experience that is fabricated from the fragments of memories as I recall them.
considering that the memories are only my versions of a history of moments.
I beileve the ideas and intent are strong, yet become hindered by the carrying out/presentation of the work itself; which often times seems unfinished or not totally realized. This is an issue I am struggling with because I myself beileve I am finished, yet the viewers want more. I have to decided weather or not the idea of something being unfinished is a deliberate characteristic of the work; in which case it needs to be investigated further and executed in a way that seems more intentional.
My process as an artist begins with feeling and impulses. The ones that I choose to investigate are often connected to a memory that I try to re-create visually, often in a (photo)graphic manner